Diffracting Digital Images: Archaeology, Art Practice and Cultural Herirage
Edited by Ian Dawson, Andrew Meirion Jones, Louisa Minkin, Paul Reilly
Routledge December 2021
Book Chapters
Images in the Making: art, process, archaeology
Ing-Marie Back Danielsson & Andrew Meirion Jones [Eds]
Manchester University Press August 2020
Making a Mark: Image and Process in Neolithic Britain and Ireland
Andrew Meirion Jones, Marta Diaz Guardamino, Antonia Thomas, Ian Dawson, Louisa Minkin
Grave Goods/ Objetos Funerarios
Louisa Minkin & Ian Dawson
MÁS ALLÁ DEL TEXTO
Cultura digital y nuesvas epistemologías
Ileana Azor Hernández, Luisa Fernanda Grijalva Maza y Alfonso Adolfo Rodolfo Gómez Rossi (coords.)
Itaca / Universidad de las Américas Puebla, 2017
ISBN: 978-607-97448-6-1
Journal Articles
Pictures Not Homes
Ian Dawson, Louisa Minkin and Francis Summers
forthcoming 2019
Raised Eyebrows
Louisa Minkin
Special Section : Archaeology and Assemblage
Cambridge Archaeological Journal, Volume 27, Issue 1, January 2017
OUT OF OUR SKINS
Journal of Visual Art Practice, Volume 15, 2016 - Issue 2-3: Headstone to Hard Drive
How to accommodate grief in your life
Louisa Minkin and Francis Summers
Philosophy of Photography Volume 7 Issue 1-2 October 2016
Images from YES TO LIFE published as a preface to:
Seb Franklin's Notes on Digital Community and Revolution
Camera Obscura 2016 Volume 31, Number 3 93: 99-131
Duke University Press
Digital imaging and prehistoric imagery: a new analysis of the Folkton Drums
Andrew Meirion Jones, Andrew Cochrane, Chris Carter, Ian Dawson, Marta Díaz-Guardamino, Eleni Kotoula & Louisa Minkin
Object Lessons: Copying and reconstruction as a teaching strategy
Art, Design & Communication in Higher Education, Volume 13, Number 1, April 2014, pp.19-19 Intellect
Making Digital: Visual approaches to the Digital Humanities
Nicole Beale, Gareth Beale, Ian Dawson & Louisa Minkin Journal of Digital Humanities Vol 2. No. 3 Summer 2013
Artists' Books and Zines
Drawing and Other Writing
SE Barnet, Ana Cavic, Louisa Minkin, Sally Morfill
Parking Lot Issue 2
including:
A is for Frontline Louisa Minkin & Francis Summers
Launch & Party 15th April 2016, Tetterode, Amsterdam
Five Years Periodicals
Sandnes Sangen
Vitamin Sandnes, Norway 2010
ISBN 978-1-903724-04-0
Neon Glow
CD, 2008
Naar aanleiding van de tentoonstelling 'Sunset is an all day process' werd door de kunstenaars Michael Curran en Louisa Minkin een cd uitgegeven.
De cd diende ook als muziek tijdens de finissage/performance 'Twilight Finissage' van Michael Curran in februari 2008.
music performed and recorded by Chris Jeep mixed and mastered by Gordon Dawson
oplage: 200 exemplaren opgedragen aan Antwerp by night
Counting and Recounting
in Cunning Chapters, Gefn Press 2007
a collaborative artists' book
Essays
The Afterlife of Monuments
in Complex Topography: The Garden
Published 31 March 2016
by Tokyo University of the Arts
and Central Saint Martins, University of the Arts, London
I close my eyes and count to ten...
Chapter in Self Contained
Maria Walsh, Graham Music, Louisa Minkin, Rebecca Fortnum
RGAP, 2013
The Devil is Afraid of Music
in Look What They Done to My Song
Matts Gallery 2007
Michael Curran
Commissioned by Luxonline British Film and Video Artists Archive
Twittering Machine
Liz Harrison
Perch, Five Years, 2009
Prospect and Aspect
The Work of Alastair Skinner.
An illustrated monograph edited by Katharine Meynell with essays by Louisa Minkin and Andrea Phillips
Paupers Publications, 2004
Metadata: how we relate to images:
an exhibition organised by the International Research Group “Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology” in collaboration with Central Saint Martins, University of the Arts London, 2018
Featuring works from: Nora Al-Badri and Nikolai Nelles, Alexander Burgess, Hussein Chalayan, Matthew Clarke, Joyce Clissold, Carole Collet, Sarah Craske, Matthew Darbyshire, John Henry Dearle, Violet E. Hawkes, Rosemary House, Lauren Jetty, Edward Johnston, Owen Jones, Lottin de Laval, Richard Long, Nicola Lorini, Alfred Maudslay, Louisa Minkin, William Morris, Noel Rooke, Henrietta Simson, and Jeremy Wood.
